Sánchez & Priebe, Restauracion y Cursos | Conservation and Restoration of Documents and Posters

Archives

We restore all type of archive objects with damages or loses of paper. Causes of damages are diverse as we would emphasize as most comon the damages by insects, iron ink corrosion and mold. We dispose a full técnical equipment and a long term experience for many years so we can realize the appropiate processes to achieve all kind of damages. We work according to the state of art and incorporate coniniously new tecnology and materials to our restoration...

Poster

The main problem in the conservation of posters is their size and fragility of the paper. Many posters were due to the difficulty of storing folded and show tears especially on the edges and folds. The traditional form of lamination with fine Japanese paper or with white Japanese paper and cotton fabric and pure wheat starch is still an accepted preservative method for these large objects. In particular, the possibilities by shipping of large rolled poster is apreciated by collectors and dealers. In the U.S., this form of conservation is particularly widespread. Most of the posters suffer some damages over the years. Folding and tears are the most comon damages we can find and on old and thin posters. Typically tears or wrinkles that existed before mounting may become much less noticable with linen mounting. The linen mounting also provides a support for restoration of damaged or missing areas. This conservation process is fully reversible if it is desired to remove the poster. Clients who deal with poster:...

Fine Art

ENGLISH Los principales problemas de conservación en obras de arte produce su enmarcado con materiales inadecuados como cintas adhesivas ácidas y traseras de madera o cartones de baja calidad. Las cintas adhesivas se oxidan y el adhesivo traspasa a la parte delantera de la obra. La acidez de la madera o de los cartones ácidos amarillea la obra. Las consecuencia son nefastas y producen como en esta obra un amarilleamiento que desvirtua el aspecto de la obra y devalua su valor estético y el precio del mercado. Sánchez & Priebe ofrece a instituciones públicas, empresas y particulares el servicio de montaje de obras de arte. Todos los materiales y métodos utilizados corresponden a los más exigentes criterios de conservación. Utilizamos cartones neutros de calidad museo que cumplen las normas LDK 24-85, DIN 6738 y DIN ISO 9706 y papeles japoneses o materiales inhertes en los montajes. Los montajes son completamente reversibles con agua y garantizan una máxima durabilidad de sus obras. En la elección de tipo de marco colaboramos con empresas de enmarcado o con su enmarcador, asesorando en el tipo de marco más...

Our company

Founded in 1996, Sanchez & Priebe joins the expertise of a multidisciplinary team of restorers. We are specialized in conservation and restoration of documents, artwork and books on paper and parchment.

Services

Fine Art

ENGLISH

Los principales problemas de conservación en obras de arte produce su enmarcado con materiales inadecuados como cintas adhesivas ácidas y traseras de madera o cartones de baja calidad. Las cintas adhesivas se oxidan y el adhesivo traspasa a la parte delantera de la obra. La acidez de la madera o de los cartones ácidos amarillea la obra.